On the Frontlines of the Television War: A Legendary War Cameraman in Vietnam, Hardcover
"Tony Hirashiki was simply one of the best television cameramen to cover the Vietnam War. His soaring video, often acquired only at great personal risk, gave wings to even the most mundane narration. For those of us who worked with him he was also a ...
Cod: ba44e083-2d81-4eea-aae3-819829d08605 / 137453
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"Tony Hirashiki was simply one of the best television cameramen to cover the Vietnam War. His soaring video, often acquired only at great personal risk, gave wings to even the most mundane narration. For those of us who worked with him he was also a source of gentleness and joy in a place where both were in terribly short supply." - Ted Koppel, Former Nightline anchor ABC On The Frontlines of the Television War is the story of Yasutsune "Tony" Hirashiki's ten years in Vietnam--beginning when he arrived in 1966 as a young freelancer with a 16mm camera but without a job or the slightest grasp of English and ending in the hectic fall of Saigon in 1975 when he was literally thrown on one of the last flights out. His memoir has all the exciting tales of peril, hardship, and close calls as the best of battle memoirs but it is primarily a story of very real and yet remarkable people: the soldiers who fought, bled, and died, and the reporters and photographers who went right to the frontlines to record their stories and memorialize their sacrifice. The great books about Vietnam journalism have been about print reporters, still photographers, and television correspondents but if this was truly the first "television war," then it is time to hear the story of the cameramen who shot the pictures and the reporters who wrote the stories that the average American witnessed daily in their living rooms. An award-winning sensation when it was released in Japan in 2008, this book been completely re-created for an international audience. In 2008, the Japanese edition was published by Kodansha in two hardback volumes and titled "I Wanted to Be Capa." It won the 2009 Oya Soichi Nonfiction Award-a prize usually reserved for much younger writers--and Kodansha almost doubled their initial print run to meet the demand. In that period, he was interviewed extensively, a documentary was filmed in which he returned to the people and places of his wartime experience, and a dramatization of his bo
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